Matt also copied the bass riff instead of sliding the plectrum through the strings at the beginning of the song.Īt 1:34, a scratching can be heard. During the 2002 Origin of Symmetry tour, the lyric "Last chance to lose control" was instead "Give me complete control". During The Resistance Tour, it is often preceded by Interlude, as on the album. Later, Hysteria was played during most Black Holes and Revelations concerts. On the Absolution tour, Hysteria was usually played toward the beginning of the setlist and either Hysteria or Apocalypse Please was usually the first song. From then on, it was usually played intermittently with Apocalypse Please and The Small Print, the latter two being played during other concerts. Hysteria was first played live in April 2002. In 2003, Hysteria was used as the intro music for the NHL hockey team Washington Capitals. He occasionally still does this.Īccording to what Matt said in a tweet, Futurism led to the idea for Hysteria bassline. On the 2002 tour, Bellamy played the bass part on his guitar at the start of the song, instead of slowly moving down the fretboard as on the album recording. At that stage, what is now the mid section was at the end and the parts either side of said section were not separate. When the band felt that the song was ready to perform, they did so at the Rockefeller Music hall in April 2002. At first, the band played around the part as a lead guitar part, sometime later the band thought that it would sound good on the bass guitar and subsequently moved it to the bass, leaving the lead guitar for a more melodic part. The bass part started out as the lead part in a sound check on the Origin of Symmetry tour, either in 2001 or very early 2002. It becomes an addiction as Matt said: The song "Hysteria" it's just about desire something you can't have and the obsession of wanting to have something they can't have kind of being in love with something you can't actually get yourself, you know. The song is about wanting something or someone that's out of reach so badly that this frustrates you till no end. Its one of the tracks that has quite a heavy groove goin' on straight down the middle."Īccording to Matt and Chris, they wanted to wanted to try out mix electronic stuff on bass: "We did not really change our way of composing, but rather to record the songs" Hysteria (I Want It Now), I Want You Now, New Oneĭescribed by Matthew Bellamy as: "Hysteria is a kinda fat bassline with a groovy straight beat on it. Live at Rome Olympic Stadium CD (4), DVD (9).Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. The reconstructed form *montwa, the ancestor of Greek Mousa, also comes from this root and probably originally referred to "mental power" that enables poets to craft verses-the Muses were the Greek poets' divinized conceptions of the faculties that help them to create and recite poetry. Greek mnēmosunē is derived from the root *mnā-, an extended form of the Greek and Indo-European root *men-, "to think." This is the root from which English also gets the words amnesia (from Greek), mental (from Latin), and mind (from Germanic). Her name is simply the Greek noun mnēmosunē, "memory"-the faculty of memory was indeed the mother of invention for the ancient Greek professional poets and bards whose job it was to compose new poems in traditional styles on festive occasions, to recite the verses of Homer, and to improvise material whenever they had a memory lapse. As to the further origins of this form, a clue is provided by the name of Mnemosyne, the goddess of memory and mother of the Muses. In Greek dialects, this word is found in the variant forms mōsa and moisa, and together these indicate that the Greek word comes from an original *montwa. The word Muse comes from Latin Mūsa, which in turn is from Greek Mousa. Word History: Ever since Chaucer first mentions the Muses in a work from around 1390, English poets have invoked these goddesses like so many other versifiers since the days of Homer, who begins both The Iliad and The Odyssey with an invocation of his Muse.
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